Have you ever done something, or thought something, you’re ashamed of?
Uncomfortable as it is, dredge up that memory. We’ll be using it for today’s exercise.
The purpose of our experiment is to demonstrate the effect on our conscious when we try to write something our unconscious doesn’t want written.
Find a place you feel safe. Sit by the fire, if you can, or if that’s not possible, have a shredder under your desk. You’ll want access to methods of rapid complete destruction.
Are you sitting uncomfortably? Good. Let’s begin.
… more … “Macabre Dance with Your Unconscious”
I’m going for a 60s health-ed movie feel in the title, in case you missed it.
Writing without emotion is pointless. If you don’t move your readers to feel something, you accomplish nothing. Even with non-fiction, teaching a topic requires moving your readers to care enough to latch on.
With fiction, emotion is everything.
It’s no wonder, then, that we fiction writers are a moody lot.
I have days of euphoria. I also have days in the doldrums. (Like when we have the rare phenomenon of 10 gloomy days straight here in the frozen north.)
A dear friend commented this morning that they were feeling down about their writing.
Steven Pressfield posted about the pure unadulterated panic induced by the research for his latest book.
It’s gonna happen. … more … “Writers and Their Emotions”