Vicarious Experience (Story Engineering and Physics #11 of 12)

Part of a series of posts on story engineering based on the book of that title and its companion volume Story Physics.

Story Engineering & Story PhysicsIf your book makes me feel like I’ve participated in an experience I could never have in real life, but wish I could, it’s the single greatest indicator of whether I’ll read more of your work.

That’s both a blessing and a curse.

Blessing, because I’ll forgive all kinds of things from illogical plot developments to thinly-developed characters if, in the end, you took me on a ride I wanted to take.

Curse, because there are so many things that can yank me out of the magic place we’ve gone together, and suddenly, instead of fleeing thugs down a dark alley, I’m reading a book with a confusing or misworded sentence. Instead of having a chat with a flying unicorn, I’m reading a pointless description of how to shoe a flying unicorn.

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The Language of Young Adult Fiction (Guest Post by Cheryl Campbell)

Say hello again to Cheryl Campbell, YA author with an unusual perspective I admire.

Burnt Mountain The Monster Within was born from an idea that I wanted to try to write a story that my niece (at the time 5 years old) and nephew (at the time 3 years old) might enjoy as teenagers. I figured this would give me plenty of time to come up with something, and plenty of time to figure out how to get it done. I had never written a book before and had zero clue about how to do it. So I sat down, jotted some notes, typed a few pages, and kept chipping away at it. Many revisions later it started to take on some shape.

As I kept going, the shape became more recognizable as a story. I was watching movies and reading a lot to figure out what made the stories that I loved so great. Lord of the Rings, both the books and the movies were key factors in my research. Star Wars also ranked at the top. What I loved so much about them was the way they crossed all age groups. Anyone, any age could get in to see Star Wars. No profanity. No sex. No graphic violence. Both franchises had movies with some violence, but none of them were rated R.

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Isaac Asimov: Foundation

I am a fan of the more cerebral, less action-oriented science fiction. If we separate out fantasy as a separate genre, where Tolkien can be Lord High Master, the King of the Mountain in cerebral sci-fi for the half century of my lifetime has been Isaac Asimov.

FoundationA novelist, even his short stories are brilliant. His humor is generally quite humorous. His mysteries intrigue and confuse. His novels, wherever they fall on the science fiction/fantasy continuum, are fulfilling and fascinating.

And when he wrote his epic Foundation Trilogy, not content with simply creating an epic, he created an entire universe.

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