That search shows up here more frequently than any other except searches for my name.
Here are a few answers:
- At a typing speed of 25WPM, about average for a nonprofessional,
1,000 ÷ 25 = 40 minutes
At a more professional speed of 50WPM, it’s 20 minutes. If you’re my wife and type 80WPM it’s less than 13 minutes. This is the least meaningful answer I have.
- My scenes tend to run about 1,000 words. Most writers manage 2,000 per scene, but I’ve tried adjusting my stance and leaning toward the plate, and I’m still not hitting it, so I do what I do. One scene, about 1,000 words, takes me about an hour, because although I type 50WPM I also pause sometimes to ruminate on the next bit. Sometimes I can blaze away for 90 minutes nonstop, but that’s the exception. The rule is, about an hour for a 1,000-word scene.
- The writer who pauses to fix every typo, polish every sentence, adjust the punctuation, and carefully balance sentence lengths, paragraph lengths, and whatever else they balance, all the while keeping one eye on the word count meter, will take a week. Or a day. Or a month. Or forever. I don’t know. At this point, it’s the wrong question.
- How long does it take to write 1,000 good words? Still the wrong question.
- How long does it take to write a 1,000-word story? Good question. I write what I call 1-Page Classics. I shoot for 1,000 words. They take me about 3 hours, start to finish, idea to polished prose.
- Now we’re talking about storytelling, real writing, and not word count. How long does it take to write 1,000 words of good story, in addition to all the words you already have? It depends on whether you’re in the flow, brain dumping a scene you envisioned en tableau, and spend half an hour, or grinding your way through a vital slice that weighs heavily on your emotions, dredging up doubt and anguish from past pains and future fears. That might take all day, all week, even.
- What if you haven’t even started yet? Your first 1,000 words might flow like mad, at nearly typing speed (20 to 40 minutes.) If you spent some time planning, or if an idea gripped you and won’t let go till you spill, that’s feasible. Otherwise, if something doesn’t feel right, either because you didn’t stop to celebrate finishing a novel yesterday, don’t have an idea what this one is about, or need to get paid so it doesn’t matter, you just need to get the blasted thing written, we’re back to hours, maybe days.
- One last answer: sit down at your computer, start a timer, and write until the word count meter says 1,000. Check the timer. There’s your answer. Not the dumbest answer, but perhaps the least satisfying.
How long does it take you to write 1,000 words?
Or, more accurately, how I begin the process of moving toward my books.
Planning is a left-brain process. Creativity has to have a healthy dose of right brain. You need both. The apocryphal Hemingwayesque “write drunk, edit sober.”
Here’s a very short version of my story-generating process, which thus far has given me good results blending left and right, analytical and creative: … more … “How I Write”
Picture the scene:
You and a friend are having lunch by the water. Their phone rings. They chat for a moment, hang up, and turn to you and tell you it was Bob.
If you’re nosy, you ask a question.
“What did he . . . ” What?
Aver? Shout? Insist? Snarl?
… more … ““There are only two possible dialog tags,” he said.”
When I talk about your time writing, what picture comes into your mind?
For most of you, I suspect it’s about clattering away on a computer keyboard. (Or, if you have a Mac, gently gliding over its delicate surface, nudging the keys toward their destination.)
Have you ever tried writing whatever it is you write using some other method?
… more … “More Than One Way to Write a Cat Story”
Both Tchaikovsky and Somerset Maugham are credited with saying “I write when inspiration strikes. Fortunately, it strikes every morning at 9:00 when I sit down at my desk.”
There’s an excellent book by Dr. Richard Wiseman, The As If Principle. Research shows that when we behave as if we believe something, we begin to believe it. When we behave as if we have a quality, we develop it.
Set a schedule you can keep, and keep it. It’s the single strongest way to build the writing habit.
Now, what most people do is go off and plan to write 3 hours a day, 7 days a week. That lasts about 4 minutes.
… more … “Building the Writing Habit”
I’ve been a web developer for over 15 years, so this is not simply from the perspective of an author, though I have published 10 books so far and show no signs of stopping.
An author without a website and blog is like any other business without a website.
The first place people go for information these days is the web. If you’re considering a new mechanic, and this one has a good website and the other has nothing, don’t you lean toward the one you can find out about online?
… more … “Why Authors Must Have a Blog”
Add these 4 to the 6 we already did, and you’ve got a good start.
- When anyone asks “what do you do?” introduce yourself as “the author of [your book’s name.]” When you self-identify as a writer, it changes your own perspective. This is not the same as pestering every person you meet with “hey, I wrote a book, and I’m going to tell you about it whether you like it or not.” Just identify yourself as the author, and if they don’t ask, you don’t pester. But say it.
- Ask your readers to write honest reviews at Amazon
- Carry copies with you everywhere, so when an opportunity arises, you can talk about it and sell it.
- Write your next book. A single-book author doesn’t stand out very much any more. “I’m working on my second book” is a good way to show you’re a career author, not a flash in the pan.
One of many free downloads from Julia Cameron’s “The Artist’s Way” website is the section from her book (of the same name) on basic tools.
Two tools she talks about are morning pages (journaling every morning) and artist dates (spending quality time with your artistic self.) If you want to amp your creativity and help yourself commit to it download and read her comments. She describes each tool and explains why they’re vital.