Compelling Premise (Story Engineering and Physics #7 of 12)

Part of a series of posts on story engineering based on the book of that title and its companion volume Story Physics.

Story Engineering & Story PhysicsIn the first post in this series I talked about the differences between premise, concept, and idea, and gave these examples of premise:

  • An elderly Irishman traveling in America meets and woos an elderly Englishwoman during the Irish War for Independence, and when he discovers she’s ignorant of the war, creates humorous havoc in his attempts to prevent her from learning that their two homelands are in conflict.
  • An elderly Irishman traveling abroad during the Irish War for Independence meets and woos an Englishwoman who feigns ignorance of their two country’s conflict in order to preserve their romance.
  • A young teacher in modern Chicago tells her elementary school students the story of her grandparents’ romance in an attempt to teach them the value of overcoming prejudice.

Let’s dig deeper into what makes a premise, and then talk about what makes one compelling.

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