My new writing process includes some initial brainstorming to feel my way through the idea, some vague outlining which is essentially a list of sequences (groups of related scenes) in a spreadsheet, and then a process I call quickdraft.
In essence, I go through the story like a 12-year-old describing a book they read:
“First she does this, and then this happens, and she goes there an, um, some stuff happens I don’t know what but because of that she has to do this other thing.”
Gaping holes, bad writing, no description. It’s just a way to get the story told, the whole thing out there, so I can turn it around and flip it over and poke and prod to see if it holds up.
Today I finished the quickdraft of Love Runs Out, my first novel with a female protagonist.
I hope it’ll be published before year end, but no promises for the moment.
I think I’ll go play with cover ideas.
It used to be called anacrusis before I figured out what I was really doing.
More about planning and process: a guest post over at Bane of Your Resistance. Drop by and say hello, and watch for details about the process (new and improved over my previous version, I might add) in next week’s guest post.
I have my list of scenes for the first Jake Calcutta scifi action/adventure mystery.
I had a list of scenes I knew I needed, but on the computer, I couldn’t get my head around the process to put them in order. Sure, some scenes are obviously early in the story, others later; some are clearly before this one and after that one.
I finally printed out the list, cut it into 3/4″ X 3″ strips color-coded for beginning, middle, and end, and it all fell into place. That’s them in front of my closet door. Almost as tall as my daughter.
How Do I Know Which Scenes I Need?
Good question. Shawn Coyne’s Story Grid provides one answer.
Continue reading “Scene List for Rafe Keyn Finished”
Fair warning: if you are committed to the spontaneous pantsing version of writing, please don’t read this. You won’t benefit, I won’t benefit. If you’re open to having assumptions challenged, read on. To the end. Don’t read the first 80% and quit or you won’t get the point.
What is a House?
Though wildly different around the world, all houses share certain characteristics. Let’s explore the ins and outs.
- Roof — Without a covering, it’s a yard, not a house.
- Floor — It may be dirt, but it’s not water or air. If your residents are standing in a pool up to their waist, or swinging in hammocks 30′ aboveground, you’ve built something other than a house.
- Privacy — Roof but no walls = carport or equivalent.
- Toilet — Yes, in some parts of the world this is not inside the house. If you live in one of those places, you may dispute this requirement.
- Services — Electricity. Running water. Drains. See above note for quibbles.
- Egress — Without a door suitable for us humans to enter through, it’s not a house, it’s something else.
- Lighting — Even if it’s windows and skylights, there’s a way for light to come in.
You may dispute any of these if you choose to live in the house yourself.
If you plan to sell the house, or even sell time using the house (called “renting”) I defy you to leave any of these out and still succeed.
Continue reading “Let’s Build a House! (Why Planning will Make Your Writing Life Better)”
Or, more accurately, how I begin the process of moving toward my books.
Planning is a left-brain process. Creativity has to have a healthy dose of right brain. You need both. The apocryphal Hemingwayesque “write drunk, edit sober.”
Here’s a very short version of my story-generating process, which thus far has given me good results blending left and right, analytical and creative: Continue reading “How I Write”
Elizabeth Spann Craig’s Twitterific writing links a couple weeks back led me to Ryan Lanz writing about stretching your word count.
In a moment of weakness, worried that Anodyne is too short, I followed it.
Expecting smarmy tricks, I found solid advice, which if implemented properly and with good motives is, what’s the phrase I’m looking for . . . oh yes; Good Stuff.
The 5 stretches listed by Lanz:
Continue reading “Longer Books Through Better Planning”
Science tries to deal with what’s real, to identify and label and if possible rule out the imaginary, illogical, impossible.
Sometimes science bothers people with little facts like gravity being the weakest force in the known universe. The only thing that keeps us from flying off into space as the earth turns (moving 1,000mph at the equator but slower near the poles) is that the earth is so huge that the tiny pull of gravity is amplified enough to keep us pinned.
Earth spinning: at the equator, a spot moves 24,000 miles in 24 hours. Simple math: 1,000mpg.
About 8 feet from the geographic pole, you could draw a circle 24 feet around. Stand (float) in one spot, and make the 24-foot trip in the same 24 hours.
That spot is moving 1 foot per hour. The bit at the equator is going 5,280,000 times as fast (1,000mph = 5,280,000 feet per hour.)
Continue reading “Bringing Some Reality to Your Writing”