#10 of only 12 sentences you need to define your entire novel.
Now that our hero is in Attack mode, we need one last bit of information to put them on the path to victory. That last piece of the puzzle is the Second Plot Point. It’s the last piece of new information you can add. After this, everything and everybody is in play. No deus ex machina salvation or surprises.
… more … “The Second Plot Point (#10 of 12 Sentences)”
#9 of only 12 sentences you need to define your entire novel.
To amp the moment when our hero finds the last piece of the puzzle and begins the chase, provide some contrast: just before the Second Plot Point, slam your readers with an All is Lost moment. Yank the rug out. If you’ve put your hero up a tree and thrown rocks at them, this is the point to have angry woodsmen chainsawing the trunk as they set it on fire. Preferably with flamethrowers. And one of the good guys up the tree with our here might turn out to be in cahoots with the enemy and shove them off the branch, where they hang by one hand above the flaming chainsaws.
Getting from here to your Second Plot Point is one of the toughest parts of writing. Get it right, and your readers will worship the water you walk on.
Write a sentence to explain what goes wrong to throw your hero into the pit of despair which is the All is Lost moment.
Tomorrow, #10: the Second Plot Point.
#8 of only 12 sentences you need to define your entire novel.
Midway through the Attack comes the Second Pinch Point, where we share another glimpse into the evil of our antagonist. Just like during Response as our hero was flailing and failing, reveal another vivid first-hand look at what our hero is up against. As before, simple and direct is best.
Write one sentence describing this clear look into the antagonist’s actions and how it raises the stakes for our hero.
Tomorrow, #9: the All is Lost Moment.
#7 of only 12 sentences you need to define your entire novel.
Based on the new information introduced at the Midpoint, the hero shifts from wanderer, reacting uselessly, to warrior, attacking the problem head on.
The magnitude of this shift reminds us how significant the Midpoint is. A weak Midpoint makes the Attack less believable.
… more … “Attack (#7 of 12 Sentences)”